Christopher Priest a écrit un article sur Jack Vance.

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Christopher Priest a écrit un article sur Jack Vance

Extrait : 
Vance's lasting impact may lie in the influence he had on other writers. Many have spoken of the way in which his imagery freed their own imaginations, while others may be argued as having come under Vance's thrall. These include writers as diverse as Ursula K Le Guin, Jack L Chalker, Michael Moorcock, George RR Martin and Gene Wolfe. The critic John Clute has even suggested that JG Ballard's "peneplainal venues" might be traced back to Vance. 

But Vance himself was an unpretentious craftsman who consistently claimed to have no interest in the art of writing, saying that he wrote only to make money – which, by working as fast and prolifically as he did, he managed to achieve. The wish to present oneself as a humble wordsmith, writing fast and commercially, was not unusual for a male writer of Vance's generation; he was first published in the commercial-fiction magazines that were still appearing in the US after the second world war. It was a market where writers were treated badly, payment was poor, readership uncritical, and the work often arbitrarily truncated or padded out for reasons of space. Vance saw himself as a modest producer of readable text, with no aspiration towards literary pretension or status. Even when he graduated to publication in book form, many of his titles came out in ephemeral paperback editions, which were carelessly edited and illustrated with garish covers. Even so, these copies sold better than most, disappeared rapidly from the bookstalls and in certain circles soon became collectable editions. 

Il a mis une photo 

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