Inverse.com : And you’ve also talked a lot about the idea of gatekeeping, which is basically what the Sad Puppies Hugo Awards fiasco was about. What’s your takeaway from that? Where do you see the genre going in the future?
J. Sclazi : The major flaw of the Sad Puppies was not that they loved their particular brand of science fiction, but that they believed that it was somehow being crowded out of the marketplace by other, more politically correct stuff. That’s complete nonsense.