“The Four Thousand, The Eight Hundred”, Greg Egan (12/15)

“The New Mother”, Eugene Fischer (4-5/15)

“A Thousand Nights Till Morning”, Will McIntosh (8/15)

“Inhuman Garbage”, Kristine Kathryn Rusch (3/15)

“The Long Wait”, Allen M. Steele (1/15)

“On the Night of the Robo-Bulls and Zombie Dancers”, Nick Wolven (2/15)

 

“The Great Pan American Airship Mystery, Or, Why I Murdered Robert Benchley”, David Gerrold (7/15)

“The Molenstraat Music Festival”, Sean Monaghan (9/15)

“Our Lady of the Open Road”, Sarah Pinsker (6/15)

“Lock Up Your Chickens and Daughters — H’ard and Andy Are Come to Town!”, Michael Swanwick & Gregory Frost (4-5/15)

“The End of War”, Django Wexler (6/15)

 

SHORT STORIES

“My Time on Earth”, Ian Creasey (10-11/15)

“Calved”, Sam J. Miller (9/15)

“Tuesdays”, Suzanne Palmer (3/15)

“What I Intend”, Robert Reed (4-5/15)

“The First Step”, Kristine Kathryn Rusch (8/15)

“Ninety-five Percent Save”, Caroline M. Yoachim (1/15)

 

“1,230 Grams of Einstein”, Robert Frazier (6/15)

“Basement Refrigerator — after Thomas Lux”, Joshua Gage (4-5/15)

“Love and the Moon”, Geoffrey A. Landis (6/15)

“October Leaves”, Suzanne Palmer (10-11/15)

“The Circulatory Man”, James Valvis (7/15)

 

 

Si cela vous donne envie de vous plonger dans l'histoire de la science fiction, alors vous pouvez jeter un oeil sur l'article paru sur sfsignal de James Wallace Harris : Staying on the Cutting Edge of Science Fiction, qui évoque les origines du genre, mais qui explique aussi pourquoi il est nécessaire que les auteurs s'intéressent à la science . 

 

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