La Chronique de 16h16
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In your first novel, Neuromancer, you paint a very internal, hermetic vision of the future, which was at odds with the grand, "space opera" version of science fiction. That is the future we're getting, though. With the US space program being downsized and unmanned—the narratives of our future seem to be far less "out there" than they are earth-bound, and increasingly internal. William Gibson : I think that our future has lost that capital F we used to spell it with. The science fiction future of my childhood has had a capital F—it was assumed to be an American Future because America was the future. The Future was assumed to be inherently heroic, and a lot of other things, as well. When I wrote Neuromancer, I had a list in my head of all the things the future was assumed to be which it would not be in the book I was about to write. In a sense I intended Neuromancer, among other things, to be a critique of all the aspects of science fiction that no longer satisfied me. As I was writing it, when I really got to a fork in the path—should I do this or do that?—my guide was to just do the opposite to what I assumed traditional science fiction would do. I stuck with that, thereafter, and eventually brought it back to the present. I think I'm actually still doing the same thing. |