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‘‘I wrote a lot for several years about genetic engineering, and I’d been trying to do it in fairly realistic ways. My novella ‘Act One’ is about an attempt – improbable, but not impossible – to reengineer the human race. (The same is true of the entire Beggar series, and a lot of the short stories.) But both ‘The Erdmann Nexus’ and (especially) Steal Across the Sky have a strong strain of mysticism along with the genetic engineering. I got a fair number of e-mails saying, ‘You can’t do this. All this life-after-death stuff doesn’t belong.’
