Ce titre fait référence à Tolkien, évidemment, mais également à celui que le Time Magazine a considéré comme le Tolkien Américain, George R.R. Martin. Il les compare, mais surtout, les associe tous deux à une idée qu'ils dénoncent dans The Lord of The Rings comme dans Game of Thrones : les hommes sont fatigués de la guerre.
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La suite et plus de détails iciEpic fantasy is back. Peter Jackson brought out an unprecedented work of filmmaking with the Lord of the Rings films. HBO is rolling out Game of Thrones based on the books of George RR Martin, the man dubbed “the American Tolkien” by Time magazine. The publishing industry is generating a huge number of similar titles by people like Pat Rothfuss, Joe Abercrombie, Brandon Sanderson, and – putting too fine a point on it – me, many of which are showing up on the bestseller’s lists.
The faux-Medieval world of dragons and knights seems like an odd genre to have caught our collective attention, but I think you can gauge a cultural moment by its guilty pleasures. The same way that our huge romance industry tells us something about our fears about love, and urban fantasies like True Blood and Anita Blake tell us something about our discomfort with femininity and power, the knights and orcs that got us laughed at in middle school are attracting literally billions of dollars. That means something interesting has happened.
We as a culture are anxious about something, and these particular stories comfort us. They say something that we, the audience are willing to pay a lot of money to hear but from a distance that we can stand to hear it.