Extrait :
How did you become the producer on someone else's adaptation of your work?
Right from the beginning, Anthony DiBlasi and I felt the best way to move forward was to share our vision as broadly as possible. We would dissolve the conventional walls that divide an actor from a producer. The consequence of this restructuring is that I could no longer use people's faces or actions as an easy way out from when the narrative wasn't doing what I wanted it to do.
