Charles Stross (Les Princes-Marchands) a donné une interview sur SF et politique. Elle est disponible ici
When is science fiction a form of political intervention?
Charles Stross : That's a tough one!
Looking at fiction in the broader sense, it's fairly clear that it can have political repercussions; Orwell's work (from "Animal Farm" and "1984" to the less-well-remembered journalistic indictment, "The Road to
Wigan Pier") was unequivocally political, and in "1984" he certainly worked with tools from the box labeled "science fiction". But it's relatively rare for politics to be the main purpose of a work of fiction, and even rarer for a work of avowedly political fiction to be any good.
Fiction, confabulation, story-telling -- is, when you get down to it, usually used as an entertainment medium, and also as a mechanism for showing us about other ways of thinking, and if you try to preach a
political message you usually end up with something that's not very entertaining (if not outright annoying to a lot of your readers).
I suspect political fiction is at its best precisely when it doesn't preach, but restricts itself to showing the reader a different way of life or thought, and merely makes it clear that this is an end-point or outcome for some kind of political creed. Leave the readers to either enjoy it as a work of fiction, or to join up the dots and apprehend the shape of the monster lurking in the background: but don't beat them over the head with it.
Et il y a une interview en Podcast ici