James Patrick Kelly que l'on connait chez nous pour Fournaise (aux Moutons Electriques) est en interview sur le net à propos des licences Creative Commons.

Il explique qu'il s'en sert notamment sur son site net pour mettre des nouvelles gratuites, sans oublié de faire aussi un peu de payant à côté. Il explique pourquoi le Creative Commons est interessant pour lui en tant qu'auteur :
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Can you talk about any interesting instances of reuse that have arisen from your choice of CC licensing? What benefits have you seen from using CC licenses?
Making best use of the CC license has led to two of the highlights of my career. In 2005 I published a novella called BURN with Tachyon Publications, a small press that gave me a small press print run of about three thousand. I was able to convince my editor to let me podcast the book, a chapter a week for sixteen weeks, beginning right around the pub date. Many, many, many more thousands listened to the CC licensed BURN than read it. I was astonished when it was a finalist for the Hugo and won the Nebula. It’s funny, but on the announcement from the Science Fiction Writers of America for the award, it was listed as a podcast rather than a book. Some have claimed it was the first podcast to win a Nebula, and I suppose that’s so. It certainly is the first CC licensed work to win a Neb. Would my little novel have gotten this kind of recognition had I not given it away for free? I don’t think so.

About a year into Free Reads I got an email out of the blue from Audible.com, the largest online seller of audiobooks. They said that they had been tracking Free Reads and were interested in working with me on a for-pay podcast project. This gave me a huge kick, because I was one of the earliest adopters of Audible. I love listening to audiobooks when I jog and garden and drive and potter around the house. We eventually closed a deal for me to record fifty-two stories for them for what came to be called StoryPod. Some of the stories they were interested in were already posted on Free Reads and part of our negotiations centered around how we could keep them available for free and at the same sell them on Audible. The folks at Audible proved to be flexible on this point; I think they recognized that satisfied listeners of Free Reads would be tempted to sample StoryPod, so all the stories stayed up. "

Toute l'interview est ici