John Scalzi est en interview ici. Il parle de Zoe’s Tale
"Zoe’s Tale, a Young Adult novel which retells the events of The Last Colony (the third book in the Old Man’s War series) from the perspective of Zoe, was shortlisted for the Hugos last year and now it’s up for the Andre Norton Award, with your novella “The God Engines” also on the Nebula ballot. Would you please tell us how Zoe’s Tale came to be? And is it always exciting for your work to be recognised this way?
John Scalzi : I wrote Zoe’s Tale partly because Tor, my publisher, was interested in me trying to write something that they could put into school libraries. This had coincided with my own interest in trying to write a story from Zoe’s point of view, which was convenient, so I went ahead and tried my hand at writing from the point of view of a teenage girl, which, if you are a late 30-something dude trying that stunt for the first time, as I was, is really a lot harder than it looks.
Getting award nominations for your work, whether from your writing peers (as in the case of the Nebulas) or from fans (in the case of the Hugos) is always a kick; to quote Sally Field, it means they like you! They really like you! And in the case of Zoe, it’s especially nice for me because it means I did a creditable job of bringing the character of Zoe to life, which as a writer was a challenge for me.
(...)
You recently became the creative consultant for Stargate Universe. What does your role on the show involve and what made you make this leap into the world of television? Would your career to continue in this direction, or is this somewhat of a sidestep?
John Scalzi : My role is to read the scripts of the show and offer notes on what’s been written—often on science-related things, but also on characters and the overall arc of the show. I should note that my role is not to get the science 100% right—there’s always an element of speculation—but to make sure that we get right what we already know, and that what we speculate on doesn’t throw people out of the episode. I took the gig because the producers asked me, and it seemed like a fun and interesting way to explore the world of television. And it is. Will it lead to other things? I don’t know, and I’m not too worried about that. At the moment I’m having fun."
"Zoe’s Tale, a Young Adult novel which retells the events of The Last Colony (the third book in the Old Man’s War series) from the perspective of Zoe, was shortlisted for the Hugos last year and now it’s up for the Andre Norton Award, with your novella “The God Engines” also on the Nebula ballot. Would you please tell us how Zoe’s Tale came to be? And is it always exciting for your work to be recognised this way?
John Scalzi : I wrote Zoe’s Tale partly because Tor, my publisher, was interested in me trying to write something that they could put into school libraries. This had coincided with my own interest in trying to write a story from Zoe’s point of view, which was convenient, so I went ahead and tried my hand at writing from the point of view of a teenage girl, which, if you are a late 30-something dude trying that stunt for the first time, as I was, is really a lot harder than it looks.
Getting award nominations for your work, whether from your writing peers (as in the case of the Nebulas) or from fans (in the case of the Hugos) is always a kick; to quote Sally Field, it means they like you! They really like you! And in the case of Zoe, it’s especially nice for me because it means I did a creditable job of bringing the character of Zoe to life, which as a writer was a challenge for me.
(...)
You recently became the creative consultant for Stargate Universe. What does your role on the show involve and what made you make this leap into the world of television? Would your career to continue in this direction, or is this somewhat of a sidestep?
John Scalzi : My role is to read the scripts of the show and offer notes on what’s been written—often on science-related things, but also on characters and the overall arc of the show. I should note that my role is not to get the science 100% right—there’s always an element of speculation—but to make sure that we get right what we already know, and that what we speculate on doesn’t throw people out of the episode. I took the gig because the producers asked me, and it seemed like a fun and interesting way to explore the world of television. And it is. Will it lead to other things? I don’t know, and I’m not too worried about that. At the moment I’m having fun."
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