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One of the ideas that Miéville returns to repeatedly in books is the peculiar magic of cities, so I asked him what exactly is the magic of cities to his mind? Why are cities such potent sources of magic in his work? He replied: I don't have any fantastic insight, but I think it's simply that cities to varying degrees are amazing palimpsests of history and cultures. They're coagulated together, a mixing of social norms. I like the temporal dislocation of cities, where you get 17th century buildings next to 21st buildings in London. The world is divided between people who like fractured mixed up stuff, and those who like clean aesthetic totality. I'm more the former. The majority of humanity now live in cities. They are the site of most political and financial drivers - that's just a fact of economy. They are the site of this kind of chaotic aggregation of ideas that's going to translate into a sensation of the fantastic. That's why fantastic city fiction is so strong – it's about translating enchantment into a modern urban environment. |